Final Product What You'll Be Creating
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Friday, June 29, 2012
Simulate An Old School X-Ray Vision Shot – Cg Part
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Modeling The F-16 Fighter Jet in 3D Studio Max – Part 2
Final Product What You'll Be Creating
Suitable for both beginner and intermediate artists, this tutorial will get users up to speed on working with some of Max’s more common modeling tools, and is an ideal project for anyone interested in creating high quality vehicle models.
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Modeling The F-16 Fighter Jet in 3D Studio Max – Part 1
Final Product What You'll Be Creating
Today’s lesson will cover blocking in the overall proportions and building the planes fuselage, wings and tail section. Click through to get started!
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Final Product What You'll Be Creating In today’s quick tip tutorial, Chandan Kumar will be showing you how to use 3ds Max’s advanced transparency material options to project a stain glass window image into a scene. This is an often overlooked but powerful feature of 3D Studio Max that can be used to create all kinds of interesting effects. Click through to learn more! Reference Image Step 1 First of all, create a Plane in the Perspective viewport which will act as the floor. Step 1 Image Step 2 Now create a 3 sided wall and Boolean the front side wall to make room for a window. Step 2 Image Step 3 Then make the glass for the window using a Plane, and insert it into the empty window opening. Step 3 Image Step 4 Open the Material Editor (M), take an empty slot and in the Diffuse channel add the “stained glass’ texture. Now put the same texture in the Self-Illumination channel also. Step 4 Image Step 5 Now put the same texture in the ‘Filter’ channel too, which lies in the ‘Extended Parameters’ rollout. Step 5 Image Step 6 Do remember to turn on the ‘2-Sided’ option also. You won’t get the proper result until you turn this option on. Step 6 Image Step 7 Now it’s time for the light setup. Add a “Target Spot” light to the scene from outside of the window as shown. Step 7 Image Step 8 Do remember to use only “Ray Traced Shadows” otherwise it won’t work. Step 8 Image Step 9 Now open the Material Editor once again and this time reduce the opacity by 50%. Step 9 Image Step 10 Now if you render the scene you will find something like this. The light gets filtered through the window and hence you get a nice effect of the stained glass reflection on the floor. Step 10 Image Step 11 I added some textures to the walls and floor and an Omni light in the room and hence it looked like this. Step 11 Image Step 12 After doing some color correction and adding some glow and rays in After Effects, it looks much better now. Step 12 Image
Final Product What You'll Be Creating
Tutorial
Download Tutorial .mov
File size: 607.9 MBCreating Stained Glass Using Advanced Transparency In 3D Studio Max
Final Product What You'll Be Creating
Reference Image
Step 1
First of all, create a Plane in the Perspective viewport which will act as the floor.
Step 2
Now create a 3 sided wall and Boolean the front side wall to make room for a window.
Step 3
Then make the glass for the window using a Plane, and insert it into the empty window opening.
Step 4
Open the Material Editor (M), take an empty slot and in the Diffuse channel add the “stained glass’ texture. Now put the same texture in the Self-Illumination channel also.
Step 5
Now put the same texture in the ‘Filter’ channel too, which lies in the ‘Extended Parameters’ rollout.
Step 6
Do remember to turn on the ‘2-Sided’ option also. You won’t get the proper result until you turn this option on.
Step 7
Now it’s time for the light setup. Add a “Target Spot” light to the scene from outside of the window as shown.
Step 8
Do remember to use only “Ray Traced Shadows” otherwise it won’t work.
Step 9
Now open the Material Editor once again and this time reduce the opacity by 50%.
Step 10
Now if you render the scene you will find something like this. The light gets filtered through the window and hence you get a nice effect of the stained glass reflection on the floor.
Step 11
I added some textures to the walls and floor and an Omni light in the room and hence it looked like this.
Step 12
After doing some color correction and adding some glow and rays in After Effects, it looks much better now.
Create a Metallic Copper Text Effect Using Layer Styles in Photoshop
Final Product What You'll Be Creating
Tutorial Assets
The following assets were used during the production of this tutorial.Step 1
Create a new file. Set Width and Height to 700 px and the resolution to 72 PPI. Name: Angel text
Step 2
Fill the canvas with the Concrete Bunker texture.
Step 3
Marge the concrete bunker texture to the background.
Step 4
Go to menu > Image > Adjustments > Hue/Saturation > use the values as shown below.
Step 5
Apply Sharpen twice: Go to menu > Filter > Sharpen > Sharpen. Add Noise: Go to menu > Filter > Noise > Add Noise > use the values as shown in the pop-up, in the left side of the image below. Create a new empty layer over the background; fill it with color code #252829. Apply Blend mode "Color" as shown in the menu, in the right side of the image below. Finally merge it to the background (Command/Ctrl+E).
Step 6
Type the word “Angel” using the “Argel Font”, font size 310 pt, tracking 0. Select the letter “A” and set tracking to 40. All values as shown in the image below.
Step 7
Using the "Move Tool", select the text and background layer, then click the align commands: "Align Horizontal Center" and "Align Vertical Center" on the top menu to center it.
Step 8
Apply a Layer Style on the text layer (right click over the layer > Blending Options). Set Blending Options step by step as shown in the image below and click ok.Note: to edit the Gloss Contour in the Bevel and Emboss step: click the contour thumbnail to open the Contour Editor pop-up > click in the contour mesh to add points and enter values for Input and Output.
Step 9
Copy the image “Palace Balls” from the browser, paste it over the text layer “Angel” and rename the image layer to “Reflection01.” Using the "Move Tool," select "Reflection01" image layer and background layer, then click the align commands: "Align Bottom Edges" and "Align Left Edges" on the top menu, as shown in the image below.Step 10
Select “Reflection01″ image layer and using the “Rectangular Marquee Tool”, right click over the picture and choose “Free Transform”. Then lock the proportions with the loop icon “Maintain Aspect Ratio” on the top menu, as shown in the image below and reduce Width and Height to 70%, set Horizontal Position to 1099.2 px and set Vertical Position to -7.8 px and press enter.
Step 11
Apply a Layer Style on “Reflection01″ image layer (right click over the layer > Blending Options) and apply Gradient Overlay values as shown below and click ok, to get a metal copper tone.
Step 12
Apply Sharpen thrice: Go to menu > Filter > Sharpen > Sharpen (remember repeat this step three times).
Step 13
Reduce Noise: Go to menu > Filter > Noise > Reduce Noise. Using the values as shown below.
Step 14
Duplicate layer “Reflection01″ and rename to “Reflection02.” After renaming it apply: Blend mode to Lighten and Opacity to 50% as shown below.
Step 15
To achieve a stunning reflection effect, select “Reflection02″ image layer and using the “Rectangular Marquee Tool”, right click over the picture and choose: Free Transform > Flip Horizontal > and reduce Width to -90% and Height to 90%, set Horizontal Position to 513 px and set Vertical Position to 108 px as shown below and press enter.
Step 16
Select the two image layers and go to menu > Layer > Create Clipping Mask. To put the reflections inside the layer font. Finally, select the two image and text layers to link them by clicking over the "Link Layers" icon at the bottom of the layers palette. To have the final text effect linked.
Final Image
Sculpt, Pose and PolyPaint a Cartoon Squid in ZBrush
Final Product What You'll Be Creating
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Model a Stylish Eames Lounge Chair In 3ds Max
In this tutorial we are going to model a 20th century design legend, the Eames Lounge Chair.
The reason I chose this particular object are its different shapes and
forms. It has both soft, organic pillows (with wrinkles) and a hard,
defined structure that holds it all together, making it an excellent way
to learn how to model both soft and hard structures.
This is a comprehensive tutorial with 98 steps, and will provide complete instruction to modeling high-end 3D art for the intermediate to advanced 3ds Max user.
I generally model these kind of models by eye, although I would suggest using the right dimensions on models you will be handing to other people, or placing in scenes. Another tip is to get one detail to exact scale or size and then model everything else in proportion to that. This will help you achieve relatively precise results in less time.
Below the first image you can see the result, but these settings may change as you go along. For example this wooden shell may be too thick or too thin and so on.
This is how it should look together.
Below is how it looks together with all models.
This is a comprehensive tutorial with 98 steps, and will provide complete instruction to modeling high-end 3D art for the intermediate to advanced 3ds Max user.
Republished TutorialEvery
few weeks, we revisit some of our reader's favorite posts from
throughout the history of the site. This tutorial was first published in
June of 2009.
Final Effect Preview
Gathering Reference
The first thing we need to do is find reference photos, blueprints and drawings. I usually create a collage for this kind of modeling job, so I don’t have to look through dozens of images.I generally model these kind of models by eye, although I would suggest using the right dimensions on models you will be handing to other people, or placing in scenes. Another tip is to get one detail to exact scale or size and then model everything else in proportion to that. This will help you achieve relatively precise results in less time.
Creating the Upper Backrest
Let’s begin with the upper backrest. Create a box and subdivide it. Then create a plane that is a bit bigger, and set it behind the box. It will be the wooden shell for the backrest.Step 1
Select the plane and subdivide it. To add these edge loops, select edges which will be crossed by the edge loop.Step 2
Click Connect to add an edge loop. I will use this very frequently so whenever I mention ‘Add an edge loop’ you should refer to this explanation.Step 3
Move forward the end vertices and scale them down slightly.Step 4
Use the Chamfer tool to split the corner edges as shown.Step 5
Add an edge loop vertically.Step 6
Delete the right half. We will be using the symmetry modifier to get the other half in place.Step 7
On top of the symmetry modifier add a shell and a turbosmooth modifier with these settings. This is just a way of optimizing the workflow, and a good habit to get into. If you want, you could also get rid of one half vertically and use another symmetry modifier, so you would need to work on just one corner. However, later on we will be getting rid of these symmetry modifiers and giving each detail a bit different look.Below the first image you can see the result, but these settings may change as you go along. For example this wooden shell may be too thick or too thin and so on.
Step 8
Now we will be modeling the cushion and we will use the box we created earlier. Select the right half of the box and delete it, then copy the turbosmooth and symmetry modifiers from the wooden shell. You may need to adjust the symmetry or maybe flip it. From the top view adjust the vertices accordingly.Step 9
Continue to add edge loops and adjust vertices.Step 10
Select the polygons on the back of the cushion and hit ‘Inset’. This is to add more definition so it looks like it’s attached to the wooden back. Move vertices and polys accordingly.Step 11
Create a sphere and use the scale tool to squash it to create the button. We will use the button to adjust the cushion model itself, so place these two accordingly and sink them into the cushion model.Step 12
Select the vertex in the middle of the cushion and chamfer it, so you get these four vertices.Step 13
Using the Inset tool, inset the polygon we just created and push it inwards. You could also use the Bevel or Extrude tool to similar effect.Step 14
Using the Cut tool create edges as shown. It is very important to keep all these polygons four edged as they divide the best and the smoothing is predictable and doesn’t have any glitches.Step 15
Add two more edge loops in between the middle ones to add detail for the creases and folds. Add one edge loop vertically to the right and left of the indentation for the button.Step 16
Add two more edge loops, but now a bit closer to the center. Adjust them somewhat randomly to give direction for these folds.Step 17
Round out the overall shape to give it a smoother look.Step 18
Raise some of the edges to create a cloth-like effect.Step 19
To create additional cloth folds, create an edge loop and extrude it. Collapse the ends of the new polys.Step 20
Repeat these steps several more times across the button hole to add more creases. The results are shown below.Step 21
Next, we will be adding sewn lines around the cushion that hold it to the wooden base. To do this, add an edge loop on the side. Then, using Edge constraints in the Edit Geometry rollout, move the new edge loop closer to the sewing line. This is a very useful tool, and I use it daily as it helps to move vertices along already made edges.Step 22
Select edges using Select Ring. Hold Cntrl and click on the Polygon Subobject mode. This will select all polygons adjacent to the selected edges. This is another useful technique I use very frequently. Using the Extrude tool, extrude these polygons inwards, but don’t close the Extrude dialog box. Hit Apply and then extrude it outwards. This will create nice curvature and definition in that area.Step 23
Select the edge loop as shown below and use the Chamfer tool to chamfer it slightly. This will add a more defined edge so that it looks sewed on to the base.Step 24
To finish the main modeling of the cushion, adjust the extruded areas until they look good.Creating The Lower Backrest
Step 25
Holding down the Shift key, move both the wooden base and the cushion downwards. This will create a copy of these objects. There is no need to model everything from scratch as the chair has many parts that are similar to each other.Step 26
Select the new wooden base object and add another loop in the middle, then move this down a bit. Select the lowest outer edge, and holding the Shift key move it outwards. This is how it should look.Step 27
Move the outer edge up a bit. Add two new edge loops crossing each other, like this.Step 28
Move the new vertices until it looks like the image below. In the screenshot I have Shell modifier enabled, so that’s why it has that thickness. The second image is how it looks smoothed with Turbosmooth.Step 29
After these modifications I noticed that the cushion weren’t quite sitting in right. I pushed them out according to the wooden base lines like this. Also, make sure to check the back view as in my model some vertices were sticking out.Creating The Seat
Step 30
Then again copy second cushion and rotate it 90 degrees.Step 31
Select the wooden base, go to Edge Subobject mode and again using Shift key extrude left side edges. Then select the middle edge loop and chamfer it. After that add an edge loop between these two new edges. You could also use Extrude tool with height value set to 0.Step 32
Then add another edge loop where I have shown and adjust vertices accordingly.Step 33
Delete the cushion if you have copied it from the second backseat, as its shape has been changed to flow along the second wooden base and that won’t work for this part. It’s easier to adjust the first cushion as it has a very generic shape. Place it in the middle of the base.Step 34
Using the Scale tool, scale it according to the shape of the base. After that, move the outer vertices closer to the edge of the wooden base. I would suggest turning Turbosmooth on from time to time, just to see how it is smoothing and to see if there are any glitches.Step 35
Now select the top vertices on the cushion and lift them up to even the surface out. This is to give it more of a volume as before it was too flat.Step 36
Select vertices along one of the sides and push them in to round-out the shape. Do the same for the other side.Step 37
If you look from the top view you will see that the wrinkles are squashed because of the scaling we did. To correct this select all of the middle vertices and some around it and scale it to the sides until it looks as shown.Step 38
As the size of the model has increased but the amount of detail is still the same, add a few edge loops.Step 39
Select the base of the seat and add another edge loop. Push it outwards to round it out. I did this because I noticed that the seat and the leg rest both have rounder shapes to hold the cushion in.Step 40
Adjust the part that touches the extruded base. You need to push them according to the form of the base, so that it looks like there is pressure for the cushion to stay in place.Step 41
Unhide all other parts. We need to group them for easier scene management, and we also need to name them. I named the second back seat ‘lower back seat’, for example. It’s up to you how to name you objects as long as it makes sense to you.Step 42
After that I adjusted the Pivot point of the lowest back seat. This is for easier rotation and placement of these objects. After placing these objects correctly, it should look as shown.Step 43
At this point I noticed that the lowest back seat wasn’t matching the photos. To correct this, I selected vertices that didn’t match and moved them to the right place. This is what I got.Step 44
Group all of these objects and name the group (I called it ‘Whole_seat’). Rotate it so that is in the same position as the photo references.Creating The Chair Leg
Step 45
Next we will create the main leg for the chair. Start by creating a plane and then adding one edge loop vertically and two horizontally. After that you will need to adjust them to shape, as shown.Step 46
As the main leg has a five star shape, create a cylinder with five sides and placed it next to the plane we just created. This will be useful when copying the leg four more times.Step 47
Copy the Shell and Turbosmooth modifiers from previous models to the plane and adjust them (I made the thickness amount smaller). Select its Pivot and use Alt + A (Align tool) to align to the cylinder. This is so you can easily copy and rotate it.Step 48
To copy it four more times you need to copy it by 72 degrees, and you need to do it precisely. Right-click on the Angle Snap button and make the Angle value 2. This will angle snap it by every 2 degrees. Rotate it by 72 degrees while holding Shift, and in the Copy dialog box enter 4 copies. After that, combine all these copies into one object using the Attach command. Be sure not to attach other objects if they have Shell and Turbosmooth on top of them. If so, delete these modifiers first. If you attach them with modifiers on them, they will be collapsed and attached and will have another pair of Shell and Turbosmooth multipliers on them. They will have double the amount of shell and smoothing on them.Step 49
Select 5 vertices as illustrated and click Collapse.Step 50
Raise the center vertices up to mimic the photo reference.Step 51
Create a cylinder at the edge of one of these legs. Try to eyeball its length according to the photos and scale the vertices at the bottom of it to achieve the result below.Step 52
Create another cylinder or copy the existing one underneath the one you just created. Use extrude and inset to achieve this result.Step 53
Attach these two objects together, and then align its pivot point to the center of the base that will hold them together.Step 54
Now create a cylinder, inset it a bit, and extrude it inwards. Another method would be to create a Tube object from the Create rollout.Step 55
Then create a box, and align it in between the tube and the cylinder we created earlier. I added another vertex so that fits more nicely there.Step 56
Select the polygon at the end of the box near the cylinder, and extrude it so it sinks into the tube. Then, using the Scale tool, scale it in the top viewport so that it extends a bit. Add another edge loop, and scale it down a bit to add the curvature needed.Step 57
Now we need to copy this box four more times. For this I used the same technique I used for copying the legs.Step 58
Extrude the top polygons on the leg, scale them in a bit, and inset them two times.Step 59
Now we will be creating the part which is screwed into the bottom of the chair and holds it to the main leg we created previously. Start with a plane, subdivide it similarly to what we did for the main leg, and then create a copy of it.Step 60
Copy these two objects, rotate them by 180 degrees, and adjust the vertices so they are shorter than the first pair.Step 61
Use the Bridge tool to connect these objects. Copy and paste the Shell and Turbosmooth modifiers from previous models and adjust them.Step 62
Select all outer ends of the model and scale them down a bit. After that move these ends further out from each other.Step 63
Move it under the seat and rotate it to match the angle of the seat. Create a cylinder and select the bottom edge loop (to do this select the bottom poly and while holding Ctrl click on the Edge subobject mode icon). Chamfer it using similar values as in this screenshot.Step 64
Inset it and extrude it a bit.Step 65
Create a cylinder with five sides, then move it and rotate it to match the four ends of the part that holds the seat.Step 66
Select all edges of this cylinder and chamfer them with a small value. It will yield a nicer reflection if the rendering camera is below seat level. Create another cylinder, but this time with about 30 sides, and again chamfer all its edges.Step 67
Copy them to all four ends of the object.Step 68
Create a box and place it between the main cylinder and these five sided cylinders (which are essentially screws). Adjust its vertices so that they match this screenshot.Step 69
Select the edge that is closest to the screw and chamfer it using similar settings to those show below.Creating the Arm & Backrest Details
Step 70
Now we will create the armrest. Create a box and use extrude and edge loops to create a shape similar to the one pictured below.Step 71
Add edge loops near all three vertical edge lines.Step 72
To smooth out the overall form, move the vertices at the edges so they are a bit rounder.Step 73
Select the edge loops as illustrated. Select one edge and loop it. If it is not going all the away around the object, select edges manually until you get full edge loop. At the end you should have two full edge loops selected.Step 74
Then use Extrude with negative values and click on the Apply button. After that, make the extrude value positive (something similar to mine) and click OK.Step 75
Click Chamfer and use something similar to my settings.Step 76
After that you will notice that there are some problems on some corners. To correct them, collapse the vertices like this.Step 77
Then select all the polys we just created. You could again select the edge that is in the middle of these polys, and holding Ctrl, select polygon Subobject icon. After that is done, extrude these polys a bit. This will create the right amount of detail in that area.Below is how it looks together with all models.
Step 78
Create a box with one edge loop in the middle, and adjust it so that it sits as shown.Step 79
Add an edge loop in the middle of it, and move the top vertices out.Step 80
Select the top and bottom edges that you pushed out, and chamfer them using these settings. Do the same for the middle edge loop length wise.Step 81
I modeled it slightly sunk in the chair, so move it out a bit to create some space.Step 82
Add three cylinders with chamfered tops under that object we just created. Copy it, and move it accordingly so we have two of these objects separated evenly.Creating The Leg rest
Step 83
Copy the top backseat and rotate it by 90 degrees.Step 84
Using soft selection, select the top part of the vertices and move them up to give the cushion more volume.Step 85
Copy the main chair leg and position it under the new cushionStep 86
As the leg rest base has a four star leg, we will need to modify the one we copied from the chair. Select four of the five starred shapes and delete them. Copy the one that is left 3 more times by Shift rotating it by 90 degrees (making sure the pivot point is still in the center). Remember to scale it down, as it is smaller than the main leg.Step 87
Collapse all the vertices that are near each other.Step 88
Delete all other parts of the leg except the one that you will copy. Select them and copy them three times by 90 degrees.Step 89
Copy the part that is holding the bottom of the seat and move it roughly to the center of the leg rest. We need to make all these shapes the same length, so add a Symmetry modifier and make it mirror both the shortest shapes.Step 90
Adjust the box that will hold the structure together.Step 91
Smooth out the boxes that hold it together by chamfering the side edge and the one that is closer to the screw.Adding Additional Details
Step 92
Now you will create the steel angle that will hold the armrest. Create a plane, and position it between the soft armrest and the wooden chair base.Step 93
Extrude the upper edge to the right using the Shift key. After that, select the edge that is in the corner and chamfer it. Add a shell modifier.Step 94
Next you will need to create a screw head. Create a sphere and a cylinder. Squash the cylinder, copy it and rotate it by 90 degrees. Attach both cylinders together. Using the Boolean tool cut out the cross shape into the sphere.Step 95
Squash it a bit flatter and add a cylinder at the end of it.Step 96
Copy these screws accordingly. Then copy all these objects to the other side.Step 97
Everything is almost done, but first we need to add a bit of variation to the model. This is because most of it was made using symmetry, so it looks pretty generic and computer made. To add the natural variation, we need to collapse all cushions so they don’t have Symmetry modifiers. Cut out the Turbosmooth modifiers and collapse the model to Editable Poly. Paste back the Turbosmooth. Do this to all the cushions and armrests.Step 98
Using Soft selection, move some of the wrinkles around to make it more random. Make some parts smoother or more extruded and visible. As for armrests, add one edge loop between those sewing seams and then push it in to give the impression that these lines are holding it together. Don’t make these identical for both armrests, as it will look copied.Final Result
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